2018 National Film Registry (alphabetical order)

Films Selected for the 2018 National Film Registry (alphabetical order)

1. Bad Day at Black Rock (1955)

2. Broadcast News (1987)

3. Brokeback Mountain (2005)

4. Cinderella (1950)

5. Days of Wine and Roses (1962)

6. Dixon-Wanamaker Expedition to Crow Agency

7. Eve’s Bayou (1997)

8. The Girl Without a Soul (1917)

9. Hair Piece: A Film for Nappy-Headed People (1984)

10. Hearts and Minds (1974)

11. Hud (1963)

12. The Informer (1935)

13. Jurassic Park (1993)

14. The Lady From Shanghai (1947)

15. Leave Her to Heaven (1945)

16. Monterey Pop (1968)

17. My Fair Lady (1964)

18. The Navigator (1924)

19. On the Town (1949)

20. One-Eyed Jacks (1961)

21. Pickup on South Street (1953)

22. Rebecca (1940)

23. The Shining (1980)

24. Smoke Signals (1998)

25. Something Good – Negro Kiss (1898)

Library of Congress National Film Registry Announces the Annual Selection of 25 of America’s Most Influential Motion Pictures

For Release 9am

December 17

Library of Congress National Film Registry Announces the Annual Selection of 25 of America’s Most Influential Motion Pictures

“Hair Piece: A Film for Nappyheaded People”, “Eve’s Bayou”, and “Something Good” among the titles added.

Columbus, OH— December 17 — On Wednesday, December 12, 2018, the Library of Congress National Film Registry announced the annual selection of 25 of America’s most influential motion pictures to be inducted into the National Film Registry of the Library of Congress because of their cultural, historic and aesthetic importance to the nation’s film heritage.

For its 30th year selection, the National Film Registry included “Rebecca” (1940), “Cinderella (1950), and “Days of Wine and Roses” (1962). A short-animated film entitled “Hair Piece: A Film for Nappyheaded People”, by director Ayoka Chenzira, one of the industry’s first black female animators was also selected. “For my independently produced animated experimental film to be included in the National Film Registry is quite an honor,” said Chenzira. “I never imagined that ‘Hair Piece’ would be considered to have cultural significance outside of its original intent, which was a conversation and a love letter to Black women (and some men) about identity, beauty and self-acceptance in the face of tremendous odds.”

The new list also includes “Something Good — Negro Kiss,” a 29-second film that is believed to be the earliest known footage of African-American intimacy on screen, as well as director Kasi Lemmons’ 1997 film Eve’s Bayou.

Established by the National Film Preservation Act of 1988, the National Film Preservation Board works to ensure the survival, conservation and increased public availability of America’s film heritage, including: advising the Librarian on its recommendations for annual selections to the National Film Registry, apprising the Librarian of changing trends and policies in the field of film preservation, and counseling the Librarian on ongoing implementation of the National Film Preservation Plan. The National Film Registry selects 25 films each year showcasing the range and diversity of American film heritage to increase awareness for its preservation. Featuring the first comprehensive look at American film preservation. Information was gathered through hundreds of interviews and library research, as well as public testimony and written statements from over 100 organizations and individuals.

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For more information, press only:

Keya Crenshaw
Black Chick Media

hello@blackchickmedia.com

The Very Thought of You

Today we say goodbye to the one and only Nancy Wilson. Formidable jazz singer, R&B artist, blues musician, actress and entertainer, Nancy hailed from Chillicothe, Ohio. Her career spanned more than five decades with Nancy retiring in 2010. Wilson recorded more than seventy albums and won three Grammy Awards for her work. She was 81 years old.

“The Girl With the Honey-Coated Voice”, was the first of six children, and was influenced by the music of Nat King Cole, Billy Eckstine, and Dinah Washington, at an early age. By the age of 15, while a student at West High School, Nancy won a talent contest sponsored by a local television station. The prize was an appearance on a twice-a-week television show, Skyline Melodies, of which, she became the host. She also worked at clubs on the east and north sides of Columbus, Ohio, until she graduated from high school. Unsure of her future as an entertainer, Nancy began college to pursue a degree in teaching. She spent one year at Ohio’s Central State College (now Central State University), before dropping out and following her original ambitions. Miss Wilson auditioned and won a spot with Rusty Bryant’s Carolyn Club Big Band in 1956, and toured with them throughout Canada and the Midwest from 1956 to 1958. While in this group, Wilson made her first recording under Dot Records.

In 1959 Nancy moved to New York City where her career bloomed. Within four weeks of her arrival in The Big Apple she got her first major break, a call to fill in at “The Blue Morocco”. The club booked Wilson on a permanent basis–she was singing four nights a week while simultaneously working as a secretary. When her manager, John Levy, sent two demos to Capitol Records, they signed her in 1960.

Wilson’s debut single, “Guess Who I Saw Today”, was so successful that between April 1960 and July 1962 Capitol Records released five Nancy Wilson albums. Her first album, Like in Love, displayed her talent in Rhythm and Blues. When her friend and fellow musician Julian “Cannonball” Adderley suggested she focus on jazz music and ballads, they collaborated and produced the album Nancy Wilson and Cannonball Adderley in 1962, which propelled her to national prominence.

In 1963 “Tell Me The Truth” became her first truly major hit, leading up to her performance at the Coconut Grove in 1964 – the turning point of her career, garnering critical acclaim from coast to coast. 1964 was a golden year as Wilson won her first Grammy Award for the best rhythm and blues recording for her album How Glad I Am. Nancy was also dubbed a “consummate actress” and “complete entertainer” as her talents weren’t reserved just for the recording booth. In 1967, after making numerous television guest appearances, Nancy got her own series on NBC, The Nancy Wilson Show, which ran until 1968 and won an Emmy. From the late 1960s through 2005, Wilson appeared in hundreds of films and television shows including The Red Skelton Hour, Hawaii Five-O, The Cosby Show and The Parkers. 

In addition to her musical accolades and achievements Nancy was recognized for her humanitarian and human rights work garnering awards from the NAACP, the Martin Luther King Jr. Center for Nonviolent Social Change, the International Civil Rights Walk of Fame at the Martin Luther King Jr. National Historic Site, Oprah Winfrey’s Legends Award, and the UNCF. A member of Delta Sigma Theta Sorority, Wilson also has a street named after her in her hometown of Chillicothe, Ohio. She co-founded the Nancy Wilson Foundation, which exposed inner-city children to the country, and until she fell ill in 2008, continued her work in civil rights.

As with many others, I can say with all certainty and ease that Nancy Wilson has always been one of my favorite songstresses. And I’m not just biased because I too am an Ohio girl. That silky voice and amazing style made her the Queen of entertainment. And yes but oh yes, she was indeed royalty. Personally, my favorite Wilson tune which I never tire of hearing is The Very Thought of You, but you can’t go wrong with any Wilson melody. If you’re not familiar with her cannon, listen to How Glad I Am, My One and Only Love, Never Let Me Go, or Here’s That Rainy Day.

Fancy Miss Nancy–singer and storyteller, legend and legacy, thank you for blessing our souls with your voice. We will always smile at the very thought of you.

Love,

BCM

African Stories in Hull and East Yorkshire Project: Laureen Sylvestre

October is Black History Month in the U.K., so, with the permission of Cleo Sylvestre (aka Honey B Mama), and the African Stories in Hull and East Yorkshire Project, we share this story of herstory, triumph, power, and love.

on-tour-in-ireland-1935

A wedding whilst on tour in Belfast. Laureen is in the second row between the Bride and Groom

In 1983, a few weeks before she died of cancer, my mother told me that she had been brought up in a children’s home. As we were very close, this came as a complete surprise because she had always led me to believe that she had been brought up by her grandmother. When I asked her to elaborate she wouldn’t, but said she’d never told me before as she thought it would upset me.

Eight years later, I was appearing at the Theatre Royal in York. An article appeared in the local newspaper and members of my mother’s family contacted me. Through them I discovered that there was more to her life than I had ever imagined. Not least, I began to discover what it must have been like to grow up as a mixed-race, illegitimate child in a Yorkshire village during the early part of the last century. I also began to reconsider the history of Black people in Britain. Historically, it is generally believed that Black people arrived in Britain in the 1950s yet, as a child growing up in London during the 50s, all the ‘coloured’ people I knew had been born here.

​This is my mother’s story.


nidd-school_orig

Laureen at Nidd School – third row up.

Winifred Laureen Goodare was born 19 February 1911 at 37 Peel Street, Hull and was baptised at St Paul’s Church on 23 March 1911. Her mother, Jessie Goodare, was 22 years old and lived at 16 Ellen’s View, Goole. According to the census Jessie was a variety artist, earning 4/- (shillings) a week. Laureen’s father was unknown. There is little mention of him in her file from the Children’s Society, although at one point he is referred to as “probably an African.”

On 30 March 1911 she was admitted to All Saints Nursery College, Harrogate. Laureen was described as healthy, good tempered and attractive with nice habits and as having a foreign appearance and being very dark. She was accepted by the Society on 14 August 1912 and was boarded out with a foster mother, Mrs. Mary Dinsdale of Burnt Yates, Harrogate.

report-from-children-s-home

Report from Children’s Home

In January 1917 Laureen was removed from Mary Dinsdale’s care as the foster mother felt that the responsibility of looking after a young child was becoming too much for her in her old age. Laureen went to live with another foster mother who lived nearby but missed Mary Dinsdale and repeatedly ran back to her. As a result it was decided to remove her to St Margaret’s home, Nidd and she was admitted on 14 February 1917. A letter of 26 February 1917 describes her as happy and settled.

It was common practice for the supporters of the Society to sponsor named children. They would often select a child from a group of candidates presented to them by the Society and would receive chatty reports of their protégee’s progress as well as a photograph. In May 1922 Laureen was the beneficiary of money donated by Mrs. Carrie Bennett of King’s Bromley, Lichfield. She had lost her little girl in December 1919 and sent money on the anniversary of the child’s birthday in April. Mrs. Bennett could not guarantee regular donations but was anxious to help Laureen as much as she could. She included extra donations to help buy the child nourishing food as she was recovering from scarlet fever in May 1922. Laureen had spent over a month in an Isolation Hospital returning to St Margaret’s on 1 June 1922. When the supervisor of St Margaret’s was writing to the Society authorities about the sponsor money in May 1922 she described Laureen as a “fascinating clever pickle and a clean, pure, lovable girl.”

On 3 August 1926 she left St Margaret’s to go into service with Mrs. Gethin, Cayton Hall, South Stainley near Harrogate. Her wages were £18 per year.

In January 1930 Laureen was back at St Margaret’s helping in the kitchen. A letter dated

laureen-s-birth-certificate_orig

Laureen’s birth certificate

24 January from Mr. J H Hayers, the Secretary of the Ripon-Wakefield and Bradford Branch to Revd. A J Westcott, the Secretary of the Waifs and Strays Society stated that she was determined to join a coloured troupe of dancers. Laureen had had difficulty in Yorkshire with the public making remarks about her colour and this influenced her decision to seek employment elsewhere in the country.

On 14 April 1930 Mr. Hayers reported that Laureen had communicated with a Mons Paul, an illusionist, and had made arrangements to work as his assistant in Bognor  and then for a season at Morecambe. After that she traveled with him to Cork, Ireland.

Having fulfilled her engagements with the troupe, Laureen moved to London where, in 1931, she worked in a coffee shop in Aldgate.  Later that year she took up service again for a Jewish family (The Kauffmans) in North West London, remaining in contact with them until the 60s. As a child I remember that she would cook the most delicious Jewish food, which she had probably learnt from them.

Determined to enter show business, Laureen studied tap in London under Buddy Bradley a well known American dancer and choreographer and started working on ‘coloured’ shows as a chorus girl touring around the UK. Once, when she was in a show in Cork, she was approached by a very old woman who said “Jesus, I haven’t seen one of my own kind for years.”

working-for-the-kaufmanns

Laureen working for the Kaufmanns

Laureen was based in London and started working at the Shim Sham Club. The Shim Sham was a popular night club in Wardour Street, Soho. It was frequented by the likes of Edwina Mountbatten, the Italian boxer Primo Carnera and musicians playing there included Fats Waller, Nat Gonella and Garland Wilson.  Laureen worked there as cigarette girl and also danced in cabaret as one of the four ‘Chocolate Drops.’ She told me that once when people got up to dance, they would stub out their cigarettes, even if they had only taken a couple of puffs. Laureen would collect them and on her way home would take them to the homeless people who congregated under Hungerford Bridge. It was whilst working at the Shim Sham that she met the conductor Constant Lambert. They began a long affair and friendship which lasted until his untimely death in 1951. During the war she volunteered as a Firewatcher and was based in Manchester Square, London.

In 1944 she married Owen Oscar Sylvestre from Trinidad, a Flight Sergeant in the Air Force, who came to England to fight in the war. Owen had been awarded the DFM which  was  awarded to non-commissioned officers and men for exceptional valor, courage or devotion to duty while flying in active operations against the enemy.

On 19 April 1945, she gave birth to a daughter. I was named Cleopatra Mary. Constant

laureen-cleo-1951

Laureen and Cleo, 1951

Lambert wrote to Laureen asking if he could be  my godfather, which indeed he became.

Laureen’s marriage to Owen was somewhat rocky. Like many other service personnel from what was then known as, ‘the Colonies’, Owen was unable to find employment with a commercial airline company, so he enrolled at the LSE (London School of Economics). However, he developed a passion for gambling which eventually destroyed the marriage and he and Laureen divorced in 1955.

Throughout the marriage Laureen worked in various jobs from catering at Bridge parties to cleaning, and when I started school in order to be with her during the holidays, she became an artist’s model working in various Art’s Schools such as The Slade, Sir John Cass, Chelsea and Guildford. Although having left formal schooling at an early age, she was exceptionally well read and attended adult education classes throughout her life. She studied French, recorder, upholstery, pottery and in her 60s took on a new challenge of silver jewellery making. By then I had begun my career as an actress and Laureen’s jewellery proved to be very popular- getting commissions from my colleagues both at The National Theatre and Young Vic.

Laureen Sylvestre

Laureen Sylvestre

In 1960 Laureen developed breast cancer, and, worried that Cleo would be left orphaned, wrote to the Registrar in Hull trying to find any members of the Goodare family. As a result she managed to contact a brother of Jessie (her mother). He was living in Goole with his wife and family and invited us to stay. We received a warm Yorkshire reception and Laureen met many cousins for the first time. Through them she learnt that her mother (my grandmother) had married, then emigrated to America where she set up a dancing school. She never had another child and although she would send money back to England for her nieces and nephews, she never remembered her own daughter Laureen. It was said that one of her dance pupils was Ginger Rogers, but we haven’t yet been able to prove it.

Laureen’s culinary skills stayed with her. She would easily prepare a Chinese meal for 12 or more in the tiny kitchen of the council flat where we lived near Euston. As a teenager when I discovered a passion for the Blues and started going to music clubs, she would rustle up food for various ‘poor’ musician friends I brought home, including Brian Jones (of the Rolling Stones) and his girlfriend Linda, Mick Jagger and Long John Baldry amongst others.

zoe-palmer

Zoe Palmer

In 2014, Laureen’s granddaughter (my daughter) Zoe Palmer, won a seed commission to begin a piece based on Laureen’s life called Fosterling. This work-in-progress was performed at Ovalhouse Theatre in London to great acclaim and at some stage we hope it will have another life.


Cleo Sylvestre

Cleo Sylvestre