The 67th Annual Primetime Emmy Awards

-Photo via huffingtonpost.com

Viola Davis -Photo via huffingtonpost.com

Last night the 67th Primetime Emmy Awards took place, and the effervescent Viola Davis took home an Emmy for Best Lead Actress in a Drama Series for her role as Annalise Keating on the hit television show, “How to Get Away with Murder”. This marks the first time in history an African-American woman has won the award. Davis’ acceptance speech was also deeply moving saying, “The only thing that separates women of color from anyone else is opportunity. You cannot win an Emmy for roles that are simply not there.” Great speech Viola, and a well-deserved win.

-Photo via urbanmecca.com

Uzo Aduba -Photo via urbanmecca.com

Uzo Aduba was a winner last night, winning the Emmy for Best Supporting Actress in a Drama series for her portrayal of Suzanne “Crazy Eyes” Warren in “Orange is the New Black.” The Emmy marks her second win for the role, previously winning for Best Guest Actress in a Comedy Series.

Regina King took home an award as well (We love you Regina!). The first-time nominee and first-time winner won the Emmy for Best Supporting Actress in a Limited Series for her role as Aliyah Shadeed in the new and critically acclaimed anthology crime drama “American Crime”.

-Photo via dnaindia.com

Regina King -Photo via dnaindia.com

Congrats Ladies! You created exceptional work this past year (as always), and Black Chick Media is looking forward to seeing you at the Emmy Awards next year!

Check out the full list of nominees and winners below. Winners are highlighted in Pink!

Outstanding Drama Series

“Better Call Saul” (AMC)

“Downton Abbey” (PBS)

“Game Of Thrones” (HBO)

“Homeland” (Showtime)

“House Of Cards” (Netflix)

“Mad Men” (AMC)

“Orange Is The New Black” (Netflix)

Outstanding Comedy Series

“Louie” (FX)

“Modern Family” (ABC)

“Parks And Recreation” (NBC)

“Silicon Valley” (HBO)

“Transparent” (Amazon)

“Unbreakable Kimmy Schmidt” (Netflix)

“Veep” (HBO)

Outstanding Lead Actor in a Drama Series

Kyle Chandler, “Bloodline”

Jeff Daniels, “The Newsroom”

Jon Hamm, “Mad Men” 

Bob Odenkirk, “Better Call Saul”

Liev Schreiber, “Ray Donovan”

Kevin Spacey, “House of Cards”

Outstanding Lead Actress in a Drama Series

Claire Danes, “Homeland”

Viola Davis, “How to Get Away With Murder” 

Taraji P. Henson, “Empire”

Tatiana Maslany, “Orphan Black”

Elisabeth Moss, “Mad Men”

Robin Wright, “House of Cards”

Outstanding Lead Actor in a Comedy Series

Anthony Anderson, “black-ish”

Louis C.K., “Louie”

Don Cheadle, “House of Lies”

Will Forte, “Last Man on Earth”

Matt LeBlanc, “Episodes”

William H. Macy, “Shameless”

Jeffrey Tambor, “Transparent” 

Outstanding Lead Actress in a Comedy Series

Edie Falco, “Nurse Jackie”

Lisa Kudrow, “The Comeback”

Julia Louis-Dreyfus, “Veep”

Amy Poehler, “Parks and Recreation”

Amy Schumer, “Inside Amy Schumer”

Lily Tomlin, “Grace and Frankie”

Outstanding Supporting Actor in a Drama Series

Jonathan Banks, “Better Call Saul”

Ben Mendelsohn, “Bloodline”

Jim Carter, “Downton Abbey”

Peter Dinklage, “Game of Thrones”

Michael Kelly, “House of Cards”

Alan Cumming, “The Good Wife”

Outstanding Supporting Actress in a Drama Series

Joanne Froggatt, “Downton Abbey”

Lena Headey, “Game of Thrones”

Emilia Clarke, “Game of Thrones”

Christina Hendricks, “Mad Men”

Uzo Aduba, “Orange Is the New Black” 

Christine Baranski, “The Good Wife”

Outstanding Supporting Actress in a Comedy Series

Niecy Nash, “Getting On”

Julie Bowen, “Modern Family”

Allison Janney, “Mom”

Kate McKinnon, “Saturday Night Live”

Mayim Bialik, “The Big Bang Theory”

Gaby Hoffmann, “Transparent”

Jane Krakowski, “Unbreakable Kimmy Schmidt”

Anna Chlumsky, “Veep”

Outstanding Supporting Actor in a Comedy Series

Andre Braugher, “Brooklyn Nine-Nine”

Adam Driver, “Girls”

Keegan-Michael Key, “Key & Peele”

Ty Burrell, “Modern Family”

Tituss Burgess, “Unbreakable Kimmy Schmidt”

Tony Hale, “Veep”

Outstanding Miniseries

“American Crime” (ABC)

“American Horror Story: Freak Show” (FX)

“The Honorable Woman” (Sundance)

“Olive Kitteridge” (HBO) 

“Wolf Hall” (PBS)

Outstanding Television Movie

“Agatha Christie’s Poirot: Curtain, Poirot’s Last Case” (Acorn TV)

“Bessie” (HBO) 

“Grace Of Monaco” (Lifetime)

“Hello Ladies: The Movie” (HBO)

“Killing Jesus” (National Geographic)

“Nightingale” (HBO)

Outstanding Lead Actor in a Miniseries or a Movie

Timothy Hutton, “American Crime”

Ricky Gervais, “Derek Special”

Adrien Brody, “Houdini”

David Oyelowo, “Nightingale”

Richard Jenkins, “Olive Kitteridge” 

Mark Rylance, “Wolf Hall”

Outstanding Lead Actress in a Miniseries or a Movie

Felicity Huffman, “American Crime”

Jessica Lange, “American Horror Story: Freak Show”

Queen Latifah, “Bessie”

Maggie Gyllenhaal, “The Honorable Woman”

Frances McDormand, “Olive Kitteridge” 

Emma Thompson, “Sweeney Todd”

Outstanding Supporting Actor in a Miniseries or a Movie

Richard Cabral, “American Crime”

Denis O’Hare, “American Horror Story: Freak Show”

Finn Wittrock, “American Horror Story: Freak Show”

Michael Kenneth Williams, “Bessie”

Bill Murray, “Olive Kitteridge” 

Damian Lewis, “Wolf Hall”

Outstanding Supporting Actress in a Miniseries or a Movie

Regina King, “American Crime”

Sarah Paulson, “American Horror Story: Freak Show”

Angela Bassett, “American Horror Story: Freak Show”

Kathy Bates, “American Horror Story: Freak Show”

Mo’Nique, “Bessie”

Zoe Kazan, “Olive Kitteridge”

Outstanding Variety Talk Series

“The Colbert Report” (Comedy Central)

“The Daily Show” (Comedy Central) 

“Jimmy Kimmel Live” (ABC)

“Last Week Tonight” (HBO)

“Late Show With David Letterman” (CBS)

“The Tonight Show Starring Jimmy Fallon” (NBC)

Outstanding Writing For A Variety Series

“The Colbert Report” (Comedy Central)

“The Daily Show” (Comedy Central) 

“Inside Amy Schumer” (Comedy Central)

“Last Week Tonight” (HBO)

“Late Show With David Letterman” (CBS)

Outstanding Directing For A Variety Series

“The Colbert Report” (Comedy Central)

“The Daily Show” (Comedy Central) 

“Inside Amy Schumer” (Comedy Central)

“Late Show With David Letterman” (CBS)

“The Tonight Show Starring Jimmy Fallon” (NBC)

Outstanding Variety Sketch Series

“Drunk History” (Comedy Central)

“Inside Amy Schumer” (Comedy Central) 

“Key & Peele” (Comedy Central)

“Portlandia” (IFC)

“Saturday Night Live” (NBC)

Outstanding Reality-Competition Program

“The Amazing Race” (CBS)

“Dancing with the Stars” (ABC)

“Project Runway” (Lifetime)

“So You Think You Can Dance” (FOX)

“Top Chef” (Bravo)

“The Voice” (NBC)

Outstanding Structured Reality Program

“Antiques Roadshow” (PBS)

“Diners, Drive-Ins and Dives” (Food)

“MythBusters” (Discovery)

“Property Brothers” (HGTV)

“Shark Tank” (ABC)

“Undercover Boss” (CBS)

Outstanding Unstructured Reality Program

“Alaska: The Last Frontier” (Discovery)

“Deadliest Catch” (Discovery)

“Intervention” (A&E)

“Million Dollar Listing New York” (Bravo)

“Naked and Afraid” (Discovery Channel)

“Wahlburgers” (A&E)

Outstanding Host For A Reality Or Reality-Competition Program

Tom Bergeron, “Dancing With The Stars”

Jane Lynch, “Hollywood Game Night” 

Heidi Klum & Tim Gunn, “Project Runway”

Cat Deeley, “So You Think You Can Dance”

Anthony Bourdain, “The Taste”

Outstanding Variety Special

“Bill Maher: Live From D.C.” (HBO)

“The Kennedy Center Honors” (CBS)

“Louis C.K.: Live At The Comedy Store” (LouisCK.net)

“Mel Brooks Live At The Geffen” (HBO)

“The Saturday Night Live 40th Anniversary Special” (NBC) 

“Tony Bennett & Lady Gaga: Cheek To Cheek LIVE!” (PBS)

Outstanding Guest Actor in a Drama Series

Alan Alda, “The Blacklist”

Michael J. Fox, “The Good Wife”

Murray Abraham, “Homeland”

Reg E. Cathey, “House of Cards” 

Beau Bridges, “Masters Of Sex”

Pablo Schreiber, “Orange Is The New Black”

Outstanding Guest Actress in a Drama Series

Margo Martindale, “The Americans” 

Diana Rigg, “Game of Thrones”

Rachel Brosnahan, “House Of Cards”

Cicely Tyson, “How To Get Away With Murder”

Allison Janney, “Masters Of Sex”

Khandi Alexander, “Scandal”

Outstanding Guest Actor in a Comedy Series

Mel Brooks, “The Comedians”

Paul Giamatti, “Inside Amy Schumer”

Bill Hader, “Saturday Night Live”

Louis C.K., “Saturday Night Live”

Bradley Whitford, “Transparent” 

Jon Hamm, “Unbreakable Kimmy Schmidt”

Outstanding Guest Actress in a Comedy Series

Christine Baranski, “The Big Bang Theory”

Gaby Hoffmann, “Girls”

Pamela Adlon, “Louie”

Elizabeth Banks, “Modern Family”

Joan Cusack, “Shameless”

Tina Fey, “Unbreakable Kimmy Schmidt”

Outstanding Writing for a Drama Series

“The Americans” — “Do Mail Robots Dream Of Electric Sheep?” (Joshua Brand)

“Better Call Saul” — “Five-O” (Gordon Smith)

“Game Of Thrones” — “Mother’s Mercy” (David Benioff and D.B. Weiss) 

“Mad Men” — “Lost Horizon” (Semi Chellas and Matthew Weiner)

“Mad Men” — “Person To Person” (Matthew Weiner)

Outstanding Writing for a Comedy Series

“Episodes” — “Episode 409” (David Crane and Jeffrey Klarik)

“The Last Man On Earth” — “Alive In Tucson (Pilot)” (Will Forte)

“Louie” — “Bobby’s House” (Louis C.K.)

“Silicon Valley” — “Two Days Of The Condor” (Alec Berg)

“Transparent” — “Pilot” (Jill Soloway)

“Veep” — “Election Night” (Simon Blackwell, Armando Iannucci and Tony Roche) 

Outstanding Directing for a Drama Series

“Boardwalk Empire” — “Eldorado” (Tim Van Patten)

“Game Of Thrones” — “Mother’s Mercy” (David Nutter)

“Game Of Thrones” — “Unbowed, Unbent, Unbroken” (Jeremy Podeswa)

“Homeland” — “From A To B And Back Again” (Lesli Linka Glatter)

“The Knick” — “Method And Madness” (Steven Soderbergh)

Outstanding Directing for a Comedy Series

“The Last Man On Earth” — “Alive In Tucson (Pilot)” (Phil Lord and Christopher Miller)

“Louie” — “Sleepover” (Louis C.K.)

“Silicon Valley” — “Sand Hill Shuffle” (Mike Judge)

“Transparent” — “Best New Girl” (Jill Soloway)

“Veep” — “Testimony” (Armando Iannucci)

Outstanding Writing For A Limited Series, Movie Or A Dramatic Special

“American Crime” – “Episode One” (John Ridley)

“Bessie” (Dee Rees, Christopher Cleveland, Bettina Gilois, Horton Foote)

“Hello Ladies: The Movie” (Stephen Merchant, Gene Stupnitsky, Lee Eisenberg)

“Olive Kitteridge” (Jane Anderson)

“The Honorable Woman” (Hugo Blick)

“Wolf Hall” (Peter Straughan)

Outstanding Directing For A Limited Series, Movie Or A Dramatic Special

“Olive Kitteridge” (Lisa Cholodenko)

“Wolf Hall” (Peter Kosminsky)

“Houdini” (Uli Edel)

“Bessie” (Dee Rees)

“American Horror Story: Freak Show” (Ryan Murphy)

“The Honorable Woman” (Hugo Blick)

13th Annual Women of African Descent Film Festival!

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The 13th Annual Women of African Descent Film Festival brought to you by the Brooklyn Chapter of the Links, now opens its call for entries. If you would like to see an example of the lineup from the previous festival, click here. You may either contact us, or wadff2014@gmail.com, with questions regarding the festival.

MISSION & OBJECTIVE To showcase films which are centered around the theme of Linkages: Women, Their Families, Neighborhoods, and the Global Community, and to support the artistic development of Women filmmakers of African Descent by providing a supportive exhibition platform, offering stipends to participants, and seeking industry opportunities that will help to expose the filmmakers’ works and further their careers.

ABOUT THE FESTIVAL The Women of African Descent Film Festival (WADFF) is celebrating its 13th Anniversary in 2014. In 2002, to mark the milestone of its 50th anniversary, and to continue its legacy of showcasing the talent and accomplishments of artists of African descent, the Brooklyn Chapter began sponsoring the WADFF. This tradition has continued annually since then, and takes place on the first Saturday in May each year.

Formed in 1952, The Brooklyn Chapter of The Links is dedicated to the support of educational, civic and cultural activities in Brooklyn. It is a chapter of The Links, Inc. an international, not-for-profit corporation, whose membership consists of 12,000 professional women of color in 276 chapters located in 41 states, the District of Columbia, and the Commonwealth of the Bahamas. The Brooklyn Chapter works under the guidelines of its national organization in providing services to its Brooklyn Community in five mission areas:  The Arts, Services to Youth, National Trends and Services, International Trends, and Health and Wellness. A focus of the Chapter’s arts programming is to empower women and youth by lending support and encouragement to emerging artists – with a particular focus on filmmakers for the past 13 years.

The foundation for all of the chapter’s programs and services is rooted in the African American tradition of giving and volunteerism. Members share a deep sense of communal responsibility, and for the past 50 plus years have been committed to actively initiating and supporting educational, cultural, and civic programs, that positively impact the lives of people of African descent residing in Brooklyn.

GENERAL RULES & SUBMISSION GUIDELINES All films must be produced, written or directed by a female filmmaker of African descent, and must have been completed on or after June 1, 2010. Submission deadline is Wednesday, April 2nd. Jurors Choice Awards and stipends will be presented to the participating filmmakers.

Filmmakers are encouraged to submit both a DVD screener as well as a digital screener*. Please note: there is no submission fee, and films will not be returned to you unless you include a self-addressed padded envelope. With your playable DVD submission, please include a synopses, crew list, press kit and any stills you would like to appear in the program and/or advertisements.

Please send all films to:

The Brooklyn Chapter of The Links Inc.
P.O. Box 50013
Brooklyn, NY 11205-0013 
Attn: WADFF

THE EVENT The festival will take place Saturday, May 3, 2014 at LIU Brooklyn Campus (corner of Flatbush and Dekalb Avenues), in the Media Arts Department Spike Lee Screening Room 10am-6pm.

Please contact us if you have any questions.

*If you have an online version of your film on a site such as Vimeo or YouTube, please submit that link to wadff2014@gmail.com.

Women in Arts: Look What’s Possible

It is hard to believe it has been an entire week since I attended the launch of Women in Arts in London, England. This amazing three-day festival was presented by the inimitable Sarah Berger of the So & So Arts Club, in association with The Tristan Bates Theatre and the Actors Centre. I was utterly thrilled and quite honored to have been a part of such a marvelous event, and I can hardly wait until next year. (Which brings us to another point–events of this scale can only be had when we all pitch in and help. So please, members, PAY YOUR DUES! Yes, I am totally calling you out. For if I, a member ALL THE WAY in America can make sure I’m all paid up, so can you. It is not fair to the glorious Sarah, or the rest of the group if you don’t do your part)

Women in Arts was possibly one of the most amazing celebrations of women and gender equality across the disciplines that I have been to yet. It was full to the brim of rehearsed readings like “Tree of Seeds” by Kayhan Irani, “Doing Well” by Chandeep Uppal and “Character” by Florence Vincent. Interactive panel discussions focusing on Role Models for Women (this was probably my favorite event!) and Writing for Women in the arts. The one woman show, “What’s My Age Again?” performed by the hilarious Merry Ross. Plays like “Frozen Heart”, “Win or Die”, the renowned “Request Programme” starring Cecilia Nilsson, and “LuLu 7” directed by the one and only Ms. Berger (where and how this woman finds the time and energy to direct a play AND run a three day festival I’ll never know).

It was so refreshing to be in an environment where everyone, both women and men, were supporting each other, and standing up for the fact that gender inequality in the arts needs to be examined, questioned and challenged; and in its place, a new vision needs to be set forth. A vision in which women are not the minority. A vision in which texts include women as actual main characters and not just the supporting lover mother sister aunt grandmother best friend objectified hot totty. A vision in which women can and willing and eagerly identify. While powerful roles for women do indeed exist, they are all too rare an occurrence. More often than not these representations of strong, powerful, self-actualized women are relegated to the seldom known independent sector; the grassroots underground projects. The unfunded. The never (hardly ever) seen/supported/recognized. And it should not just be left up to women to write, direct and produce these roles and texts. Men need to participate as well. It is absolutely crucial that visual mass media (Here I’m including all forms of visual media and art), change the way women are viewed and presented.

During the Writing for Women panel, author, journalist and mentor Susan Grossman put a very interesting question to all of us, “Do you write for your audience?” The general consensus in the room was ‘no’. However, I beg to differ; when writing, be it a blog post, screenplay, short story, I most certainly do write for my intended audience. And just because I write for/to a certain group, does not mean I wish or intend to exclude others. The best part of writing and presenting work is its ability to reach the masses. So I put the same question to all of you that may be writers/producers/creators: Do you write (create) for your audience? And if you do, what does that mean for you? How do you ensure women are essential to your storyline and are not outnumbered? Are they presented in a fashion that would challenge the status quo? Until we can challenge (and change) our previously held notions about women’s roles in the arts, and answer these questions on a positive note, there is much work to do. And it is our belief, here at Black Chick Media, that The So & So Arts Club Women in Arts is just the beginning.

Love,

BCM

P.S. Check out another article about Women in Arts on the Female Arts website! xx

GAP Salon

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The GAP Salon (gender and performance), which is open to all, is dedicated to issues of equality and representation in theatre and other arts. They will be meeting Monday, November 4th at 7pm GMT (We are having technical difficulties with our Upcoming Events Calendar at the moment, but we’re sure it will right itself soon). Meetings are held the first Monday of the month. Make sure you check back here often for updates, or follow them on Twitter @GAPsalon. As our mission is centered on collaboration, cross cultural dialogue and visibility of groups often marginalized, we are delighted to find out about this marvelous organization, and are very much looking forward to meeting them the next time Black Chick Media is in London.

Love

BCM