Quicker Than A New York Minute

Well, I’d like to be able to say I’m surprised Cheryl Boone Isaacs is no longer the president of the Academy, but sadly, that is not the case.  More to the point, is there still anyone out here in Black and Brown communities that truly admires the work and recognition of the Oscars?  Since when have they done right by us?  Although, I must admit, I was elated when Boone Isaacs was elected president; it seemed to be what was needed at the time (What is still needed at this time).  However, nothing really changed.  Brown bodies were still disproportionately represented on screen.  Our award numbers stagnated.  Unfortunately, even in the 21st century she undoubtedly faced much adversity carrying the title of first African American woman to hold this position.  I just wish it lasted that much longer.

Cheryl Boone Isaacs is an American film marketing and public relations executive. She has represented the Public Relations Branch of the Academy of Motion Picture Arts and Sciences (AMPAS), known for its annual Academy Awards (Oscars), on the AMPAS Board of Governors for 21 years as of 2013. On July 30, 2013 she was elected as the 35th president of AMPAS.  Boone Isaacs is the first African American to hold this office, and the third woman after Bette Davis (who served only two months) and Fay Kanin (who served four years).

Oscars

MEDIA CONTACT
publicity@oscars.org

August 8, 2017
FOR IMMEDIATE RELEASE

JOHN BAILEY ELECTED ACADEMY PRESIDENT

LOS ANGELES, CA – John Bailey was elected president of the Academy of Motion Picture Arts and Sciences Tuesday night (August 8) by the organization’s Board of Governors.

Also elected to officer positions by the Board:

  • Lois Burwell, First Vice President (chair, Awards and Events Committee)
  • Kathleen Kennedy, Vice President (chair, Museum Committee)
  • Michael Tronick, Vice President (chair, Preservation and History Committee)
  • Nancy Utley, Vice President (chair, Education and Outreach Committee)
  • Jim Gianopulos, Treasurer (chair, Finance Committee)
  • David Rubin, Secretary (chair, Membership and Administration Committee)

Bailey is beginning his first term as president and his fourteenth year as a governor representing the Cinematographers Branch.  Gianopulos, Kennedy, Rubin, Utley were re-elected to their posts.  This will be the first officer stint for Burwell and Tronick.

Bailey’s cinematography credits include “Ordinary People,” “American Gigolo,” “The Big Chill,” “Groundhog Day,” “As Good as It Gets,”  “The Anniversary Party,” “The Way Way Back” and “A Walk in the Woods.” In 2014 he received the American Society of Cinematographers Lifetime Achievement Award.

Academy board members may serve up to three consecutive three-year terms, while officers serve one-year terms, with a maximum of four consecutive years in any one office.

For a full listing of the Academy’s 2016-17 Board of Governors, click here.

# # #

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 8,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

COMMUNICATIONS DEPARTMENT
8949 WILSHIRE BOULEVARD | BEVERLY HILLS, CA 90211-1907
(310) 247-3090 TEL | (310) 271-3395 FAX | PUBLICITY@OSCARS.ORG | WWW.OSCARS.ORG/PRESS

Call for Entries: Women of African Descent Film Festival

Call for Entries: The 16th Annual Women of African Descent Film Festival

1

Still from SANKOFA. Produced by Mariona Lloreta

The 16th Annual Women of African Descent Film Festival presented by The Brooklyn Chapter of The Links, Inc. now opens its CALL FOR ENTRIES. If you would like to see an example of the lineup from WADFF 2016, click here.

Please contact wadffbklyn@gmail.com with questions regarding the festival.

MISSION & OBJECTIVE To showcase films which are centered around the theme of Linkages: Women, Their Families, Neighborhoods, and the Global Community, and to support the artistic development of Women filmmakers of African Descent by providing a supportive exhibition platform, offering stipends to participants, and seeking industry opportunities that will help to expose the filmmakers’ works and further their careers.

blk-girl-poet-title

Still from BLK GRL POET. Produced by Kearah-Armonie

ABOUT THE FESTIVAL The Women of African Descent Film Festival (WADFF) is celebrating its 16th Anniversary in 2017. The media constantly bombards us with negative images of people of African descent. Our positive accomplishments, uplifting experiences, and gifts to humanity get little attention. The Brooklyn Chapter believes it is vitally important that our legacy be maintained, nurtured and preserved and it is our responsibility to shape the public’s perception of who we are as a people. Through the medium of film, filmmakers of African descent document and relay the stories of our past, present, and future. They have become the new historians –“preservers of our legacy.” The Brooklyn Chapter realizes that many societal misconceptions start with how we are portrayed in the media. To counteract the adverse portrayal of African Americans in the movies and media, the Brooklyn Chapter, in 2002, initiated Linkages: Women of African Descent Film Festival. By choosing and screening films that depict the positive linkages that women of African descent have to their families, neighborhoods and communities, the film festival is able to effectively influence people’s’ perceptions through the medium of film.

GENERAL RULES & SUBMISSION GUIDELINES All films must be produced, written or

4

Still from STRINGS ATTACHED. Produced by Marc John Jefferies & Nelcie Souffrant

directed by a female filmmaker of African descent, must have been completed on or after June 1, 2012, and must be 1 hour at most in length. Submission deadline is Friday, March 24th. Juror’s Choice Awards and stipends will be presented to the participating filmmakers.

Local, regional, national and international submissions are accepted.

Filmmakers are encouraged to submit a digital and/or online version of their films in a format such as AVI, FLV, WMV, MP4, MOV, QT, WMV, AVCHD, FLV, H.264, or DivX. If these file formats do not exist, please submit a link to your film on a site such as Vimeo, YouTube, Dailymotion, or MetaCafe. If applicable, include all passwords for video access.

DVD and VHS copies will not be accepted.

Please note: there is no submission fee. With your playable submission, please include a synopsis, crew list, press kit and any stills you would like to appear in the program and/or advertisements.

Send all films to: wadffbklyn@gmail.com

THE EVENT WADFF 2017 will take place Saturday, May 6, 2017 at LIU Brooklyn (corner of Flatbush and Dekalb Avenues), Media Arts Department, Spike Lee Reading Room, 10am-6pm.

THE LINKS Formed in 1952, The Brooklyn Chapter of The Links is dedicated to the support of educational, civic and cultural activities in Brooklyn. It is a chapter of The Links, Inc. an international, not-for-profit corporation, whose membership consists of 14,000 professional women of color in 282 chapters located in 41 states, the District of Columbia, and the Commonwealth of the Bahamas. The Brooklyn Chapter works under the guidelines of its national organization in providing services to its Brooklyn Community in five mission areas:  The Arts, Services to Youth, National Trends and Services, International Trends, and Health and Wellness. A focus of the Chapter’s arts programming is to empower women and youth by lending support and encouragement to emerging artists – with a particular focus on filmmakers for the past 16 years. The foundation for all of the chapter’s programs and services is rooted in the African American tradition of giving and volunteerism. Members share a deep sense of communal responsibility, and for the past 66 years, have been committed to actively initiating and supporting educational, cultural, and civic programs that positively impact the lives of people of African descent residing in Brooklyn.

You can ‘Like’ and follow the festival Facebook page here: https://www.facebook.com/WomenofAfricanDescentFilmFestival/

For #WADFF2017 twitter updates, follow @BlackChickMedia.

Want to learn more about WADFF and the Brooklyn Chapter of the LINKS? Check out our Vimeo page here: https://vimeo.com/164791769

Please contact WADFF Co-Chair Yvonne Presha or Elyse Morris, On-site Coordinator at wadffbklyn@gmail.com.

6

Still from SANKOFA. Produced by Mariona Lloreta

Press Release: Women Filmmakers Enter Your Films for the 16th Annual Women of African Descent Film Festival Today


Contact:                                                                          BLACK CHICK MEDIA, LLC

WADFF

c/o The Brooklyn

Chapter of The Links, Inc.

PO Box 50013

Brooklyn, NY 11205-0013


FOR IMMEDIATE RELEASE

Brooklyn, NY 26 January 2017: The Brooklyn Chapter of The Links announces the Call for Film Entries for the 16th Annual Women of African Descent Film Festival (WADFF). WADFF will showcase films focused on Women, their families, neighborhoods, and the global community. Featuring an international roster of films, the Festival will take place on Saturday, May 6, 2017 at LIU Brooklyn Campus, Brooklyn, NY 11201 in the Spike Lee Screening Room from 10am-6pm.

Films must be produced, written, or directed by a female filmmaker of African descent and must have been completed on or after June 1, 2012. All work must be submitted by March 24, 2017. Jurors Choice Awards and stipends will be presented to participating filmmakers.

Formed in 1952, The Brooklyn Chapter of The Links is dedicated to the support of educational, civic and cultural activities in Brooklyn. It is a chapter of The Links, Inc. an international, not-for-profit corporation, whose membership consists of 14,000 professional women of color in 282 chapters located in 41 states, the District of Columbia, and the Commonwealth of the Bahamas. The Brooklyn Chapter works under the guidelines of its national organization in providing services to its Brooklyn Community in five mission areas:  The Arts, Services to Youth, National Trends and Services, International Trends, and Health and Wellness. A focus of the Chapter’s arts programming is to empower women and youth by lending support and encouragement to emerging artists – with a particular focus on filmmakers for the past 16 years.

The foundation for all of the chapter’s programs and services is rooted in the African American tradition of giving and volunteerism. Members share a deep sense of communal responsibility, and for the past 64 years, have been committed to actively initiating and supporting educational, cultural, and civic programs that positively impact the lives of people of African descent residing in Brooklyn.

To London & Back: Women and War

IMG_3595 2To know me is to know just how much I love the So & So Arts Club and its founder Sarah Jane Berger.  So & So is a professional development organization by actors for actors, and I cannot even begin to explain how my life has changed for the better because of this club.

Now, as I have absolutely no trouble in admitting I’m a snob (but in a good way!;) and wish So & So was still a very well kept secret; one that only the best sorts of people would be privy to (ahem).  But I commend Miss Berger for creating a global artists club, and I’m still advocating to be American Representatives and/or head a chapter here (Please oh please!).  If there’s one thing Sarah knows how to do (and let’s just be honest, the woman is a wonder as an Actor, Director, Producer), it’s put on a festival. From Women in Arts and Hopefull Rep, to Kick up the Arts and Women and War, So and So offers numerous opportunities for artists to connect, engage, learn and work.

This year, I was lucky to be in London during Women and War, which was held at the So & So space IMG_8166 2at 6 Fredrick’s Place.  While I did not have time to see everything I wanted, I was able to see my extremely talented friend Zelina Rebeiro and the lovely Isaura Barbé-Brown (who even fooled this Midwestern gal with her American Accent!) in Veils.

Written by Tom Coash, the play focuses on American University in Egypt roommates Intisar and Samar.  “Intisar, a veiled, African-American Muslim student, thinks she might finally fit in when she enrolls for a year abroad at the American Egyptian University in Cairo. However, the Arab Spring is about to explode across the Middle East, threatening to overwhelm the young American woman and her liberal Egyptian roommate, Samar.  In the struggle to find their footing in this political storm, the young women instead find themselves on opposite sides of a bitter and dangerous cultural divide. Will the violent events leading up to the revolution salvage their friendship or shatter it?” 

VeilIMG_0736 2s is a great two hander focusing not only on religious differences (and similarities), but also the bonds between women, the Arab Spring (and what that meant for Muslim Youth), displacement and cultural hybridity. Zelina Rebeiro is superb as Samar, the party loving, freedom fighting non-hijab wearing Egyptian Muslim; and Isaura Barbé-Brown dazzles as Intisar, the American born conservative Muslim student who hopes to finally be understood and respected in Cairo. The exuberant Samar enlists her new African-American roommate in helping her create a blog debating the practice of wearing veils, but when the revolution interrupts, it threatens to ruin their friendship.

After Veils, it was on to see The Marvellous Adventures of Mary Seacole, a one woman show starring actress andFullSizeRender 2 songstress Cleo Sylvestre. The title is a play on Mrs. Seacole’s autobiography, Wonderful Adventures of Mrs. Seacole in Many Lands (1857), which is considered to be one of the first autobiographies by and about a mixed-race woman.

Who is Mary Seacole you ask?  I was wondering the very same; and was amazed to discover she was a Jamaican/Scottish/African entrepreneur, world traveler, hotelier, healer and self taught nurse who successfully tended to battlefield soldiers during the Crimean War.  It is widely believed that Florence Nightingale was the first woman to develop what we now know as modern nursing, but to hear Mary Seacole’s story puts all of that into question.  The viewer even learns Mary applied to the War Office to assist (and even spoke to Florence Nightingale herself), but was refused (no great surprise there…).

The play takes you on a journey from her early days learning about herbal healing from her mother, to her travels through Jamaica, London, Panama, her marriage, the Great Fire of Kingston, the Cholera Epidemic, and the war.  Throughout her life and career, Mary was held in the highest regard, and associated with such dignitaries as he Prince of Wales, the Duke of Edinburgh, the Duke of Cambridge, and many other senior military officers.  Late in life, when she faced economic downturn, Mary was able to survive and live somewhat comfortably due to the fund and care of her illustrious patrons.

In 1991 she was posthumously awarded the Jamaican Order of Merit, and in 2004 was voted the greatest Black Briton.  More recently, a statue of her describing her as a Pioneer Nurse was erected at St Thomas’ Hospital in London on 30 June 2016.  The only known portrait of Mary Seacole resides in the National Portrait Gallery in London, England.

The final play on my agenda was Shrapnel, “A Collection of poetry, monologues and a play excerpt from the writers Chris Fogg, DHW Mildon and Rose Solari, ranging from a mother grieving the death of her son in the final minutes of WW1 to a mortician at Camp Bastian preparing for a date. Voices of women across class, generations and history [are heard].”  The featured shows and interwoven poems were Posting to Iraq by Chris Fogg, Coda, Go Firm, Shades and Prize Giving by DHW Mildon, and two Poems by Rose Solari.  I mostly had to see this show because, as long as I’ve known Sarah, I’ve never seen her act.  But now, I’m so happy I have! (secretly thinking of a show to in which to have her star…)

All in all, Women and War was an amazing festival, and I wish I had time to see more shows.  But, knowing Sarah and the So and So Arts Club, another festival isn’t far behind.

Love

BCM